Creative non-fiction blending famous sites of Buffalo with absurd, yet possibly real stories expressed in a journalistic tone and with the addition of a photographers lens.
This illustrated, informative booklet offers a bird’s-eye view of the Pan-American Exposition. Review the grounds which were located between what today are Elmwood and Delaware avenues. See the sights that were seen then, when electricity was a novelty. And hear the sounds of the Pan-Am. A delightful CD of the music of the Pan-American Exposition as it was played by John Philip Sousa in 1901 – on player piano rolls – is tucked inside a colorful back pocket. A great way to experience a momentous event, when Buffalo came to be known as the City of Light.
In 1900, Buffalo was the eighth largest city in the U.S. As the world ushered in the new century, Buffalo celebrated its status as a vibrant center for transportation, commerce, and industry and became home for thousands of immigrants who chose to begin their new lives in this promising City by the Lake. Postcards erupted on the scene around 1907, a short-lived product of the collision of emerging print technologies and existing postal regulations. This lovely book offers a fascinating and historically accurate glimpse of Buffalo’s Main Street at the turn of the last century through postcard scenes. These views of downtown reveal Buffalo as one of the most progressive and vibrant cities of the time. How fitting that postcards, made popular during Buffalo’s heyday, should pave the way through the city’s illustrious past. Perhaps they also provide valuable clues for directions in which Buffalo’s beautiful downtown could and should develop a century hence, rising from the ashes to emerge once again as a vital, vibrant hub for the entire region.
A well-preserved creation of America’s most celebrated landscape architect, Point Chautauqua’s 1875 Frederick Law Olmsted design is listed on the National Register of Historic Places. Among Olmsted’s many works, Point Chautauqua stands alone. Only here did the master find a physical setting that conformed to his aesthetic ideal. Moreover, this was his only design for a religious community. Frederick Law Olmsted’s Point Chautauqua richly exhibits Olmsted’s design principles, making it a perfect example of historic landscape architecture that is also a living, working community, and a rewarding laboratory for students of historic landscape architecture.
